Sony dsc-t5 driver download

The proof is in the pictures, so let your own eyes decide which you like best! The Sony T5 zooms over the equivalent of a mm range, fairly typical for its class. Though a little soft at wide angle, with some mild coma distortion in the trees, the T's lens still performs well, and the camera's sharpening algorithms seem to clean things up a bit.

The 4x digital zoom takes it out to 12x total with the usual loss of quality associated with digital zoom. Macro A small macro area with good detail and high resolution. Flash exposes fairly well, but flash illumination is uneven up close. Detail is strong and resolution high, with only a moderate amount of softening in the corners and left and right edges.

Most cameras have some softening in the corners in macro mode. The flash throttles down pretty well, but its light doesn't reach the two left corners of the frame. Plan on using external lighting for your closest macro shots with the T5. This is the tendency for the lens to bend straight lines outward like a barrel--usually at wide angle or inward like a pincushion--usually at telephoto.

The Sony T5's 0. At the telephoto end, the T5's 0. Chromatic aberration is moderate at wide angle, showing about pixels of moderately bright coloration on either side of the target lines, but increases slightly at telephoto focal lengths, particularly in the top right of the frame. This distortion is visible as a very slight colored fringe around the objects at the edges of the field of view on the resolution target. Corner Sharpness Some softening in the left and right corners of the frame, strongest effect in the lower left corner.

The Sony DSC-T5 produced soft corners in a few shots, though the lower left corner seemed to have the most visible effect. Compare the center shot above left, which technically should be the sharpest the camera can produce, to the shot at right, which represents the softest corner of the frame.

Indoors, incandescent lighting Strong warm cast with both Auto and Incandescent white balance settings, though slightly better performance with Incandescent. About average exposure compensation required. Color balance indoors under incandescent lighting was just a bit warm and orange in Auto white balance mode, though the Incandescent setting resulted in a lesser warm cast with more pleasing results.

Still, the bright highlights on the white shirt are a bit hot. The warm cast results in a purplish tint in the blue flowers, and overall color is fairly dark. A very common outcome for this shot. Our test lighting for this shot is a mixture of 60 and watt household incandescent bulbs, a pretty yellow light source, but a very common one in typical home settings here in the US. Outdoors, daylight Fairly good color balance, though a hint cool. High contrast limits shadow and highlight detail.

Outdoor shots generally showed accurate exposure with strong, blown out highlights, and very deep shadows with limited detail. Exposure accuracy overall was better than average, the camera requiring less exposure compensation than we're accustomed to seeing with consumer digital cameras.

See full set of test images with explanations See thumbnails of all test and gallery images. Our laboratory resolution chart revealed sharp, distinct line patterns down to about 1, lines per picture height horizontally, though to about 1, lines vertically, with extinction at around 1, The camera did produce slight color artifacts at lower line frequencies though, visible in the full-sized res target shots.

Use these numbers to compare with other cameras of similar resolution, or use them to see just what higher resolution can mean in terms of potential detail. Beware that while you might be able to make out what looks like distinct lines at numbers higher than those we've mentioned here, the camera is just doing its best to continue interpreting the lines. If you zoom in and follow them from the wider portions, you'll see the lines converge and reappear several times, so the lines you see at 1, and higher are really only artifacts generated by the camera's imaging system.

The Sony DSC-T5's images are slightly soft overall, escaping any strong over-sharpening or edge enhancement on the camera's part. Edge enhancement creates the illusion of sharpness by enhancing colors and tones right at the edge of a rapid transition in color or tone.

Noise-suppression systems in digital cameras tend to flatten-out detail in areas of subtle contrast. The effects can often be seen in shots of human hair, where the individual strands are lost and an almost "watercolor" look appears. The crop at far right shows this, with darker areas of Marti's hair showing only limited detail, even though individual strands are quite visible against her cheek in the uncropped image. The level of detail loss shown here isn't all that obvious on prints 8x10 inches or smaller though.

Noise pixels are also fairly bright, altering the appearance of the overall color. Extremes: Sunlit and low light tests High resolution with good overall detail, though very high contrast and limited shadow detail. Limited low-light performance, not capable of capturing bright images under average city street lighting. Sunlight: Because digital cameras are more like slide film than negative film in that they tend to have a more limited tonal range , we test them in the harshest situations to see how they handle scenes with bright highlights and dark shadows, as well as what kind of sensitivity they have in low light.

The shot above is designed to mimic the very harsh, contrasty effect of direct noonday sunlight, a very tough challenge for most digital cameras. You can read details of this test here. The Sony DSC-T5 had a little trouble with the deliberately harsh lighting in the test above, producing very high contrast with washed-out highlights and deep shadows. Noise suppression is visible in both shadows and highlights as well, contributing to the loss of detail, made more severe in these areas.

In "real life" though, be sure to use fill flash in situations like the one shown above; it's better to shoot in the shade when possible. Low light: Our low light testing revealed strong limitations in the lens and sensor's ability to gather and process light, meaning you'll likely need the flash for shots starting around twilight.

With a maximum shutter speed of two seconds, I'd expect slightly better performance at the one foot-candle light level about the equivalent of average city street lighting at night. The target is visible here, but only just. Color balance was pink from the Auto white balance setting.

With the AF assist lamp on, the AF system worked very well down to the lowest light level. The other important part of color rendition is hue accuracy.

Hue is "what color" the color is. Blues were typically dark and purplish, and overall color balance slightly warm and yellow, though results were still quite passable. Our random "Gallery" shots showed good color across a wide variety of subjects.

Coverage and Range The T5's small flash has a limited range, produces a slight blue cast in combination with typical incandescent room lighting. Our standard shots required more exposure compensation than average.

Flash coverage was just slightly uneven at wide angle but very low at telephoto. In the Indoor test, the flash on the T5 underexposed our subject at its default setting, requiring the camera's High Intensity flash adjustment to get bright results. The camera's Slow-Sync flash setting produced slightly brighter and more even results at the same High Intensity setting, though with a stronger orange cast from the room lighting.

Even at eight feet, our closest test range, flash intensity was very low. Results were quite dark at the furthest test distance. Print Quality Good print quality, great color, very usable 11x14 inch prints. ISO images are very soft at 8x10, acceptable at 5x7, great at 4x6. Testing hundreds of digital cameras, we've found that you can only tell just so much about a camera's image quality by viewing its images on-screen. Ultimately, there's no substitute for printing a lot of images and examining them closely.

For this reason, we now routinely print sample images from the cameras we test on our Canon i studio printer, and on the Canon iP here in the office.

See the Canon i review for details on that model. With the Sony T5, we found that it had enough resolution to make very crisp 8x10 inch prints.

At 11x14, its prints were a bit softer, but more than adequate for wall or table display. At high ISO, image noise levels are held in check, but detail is lost due to heavy anti-noise processing common with Sony digicams. Color-wise, the Sony DSC T5's images looked really great when printed on the i, with bright, vibrant color. The T5's performance is pretty good, with fairly fast startup and shutter response times.

The lag time of 0. Shot to shot cycle times are pretty good as well, at about 1. The flash takes about 4. We were unable to test the actual battery drain, but we've found Sony's own InfoLITHIUM system reports battery runtime estimates with pretty good accuracy, so we've filled in what the camera says it expects after a full charge.

I strongly recommend buying at least a MB card, preferably a MB one, to give yourself extra space for extended outings. Free Photo Lessons Simple pro lighting and use tips let you snap stunning photos. Check out our free Photo School area!

Lens Zoom A typical 3x optical zoom range, with good performance. Distortion Moderate barrel distortion, though high pincushion. Barrel distortion at 38mm is 0. Chromatic aberration Moderately high, though small effect on images at edges.

Wide: moderate and bright, top left Wide: moderate and bright, top right Tele: quite low, top left Tele: higher and bright at top right Chromatic aberration is moderate at wide angle, showing about pixels of moderately bright coloration on either side of the target lines, but increases slightly at telephoto focal lengths, particularly in the top right of the frame.

Center shot is somewhat soft Chromatic aberration and coma show up most significantly in the lower left The Sony DSC-T5 produced soft corners in a few shots, though the lower left corner seemed to have the most visible effect. Exposure and White Balance Indoors, incandescent lighting Strong warm cast with both Auto and Incandescent white balance settings, though slightly better performance with Incandescent. Exposure accuracy overall was better than average, the camera requiring less exposure compensation than we're accustomed to seeing with consumer digital cameras See full set of test images with explanations See thumbnails of all test and gallery images.

Resolution High resolution, 1, - 1, lines of strong detail. Strong detail to 1, lines horizontal Strong detail to 1, lines vertical See full set of test images with explanations See thumbnails of all test and gallery images. Decent contrast, but slightly soft for a Sony digicam.

Subtle detail: Hair Noise suppression tends to blur detail in areas of subtle contrast, as in the darker parts of Marti's hair here. In the diagram above, the squares show the original color, and the circles show the color that the camera captured.

More saturated colors are located towards the periphery of the graph. Hue changes as you travel around the center. Thus, hue-accurate, highly saturated colors appear as lines radiating from the center. Most consumer digital cameras produce color that's more highly saturated more intense than found in the original subjects.

This is simply because most people like their color a bit brighter than life. The Sony DSC-T5 actually undersaturated some color, while oversaturating the red and blue tones just slightly. Where oversaturation is most problematic is on Caucasian skin tones, as it's very easy for these "memory colors" to be seen as too bright, too pink, too yellow, etc.

However, the T5 rendered skin tones actually a little flat. Coverage Very good accuracy from the LCD monitor. Battery Excellent battery life for a subcompact. See full Picky Details page. Follow Imaging Resource:. Camera QuickLook. Review Date.

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